Sculptures in limestone and metal
Wednesday, 20 June 2012
Alabama Sculptor DeeDee Morrison’s studio is nestled in a limestone quarry. An active one. “It’s an old Republic Steel Plant that closed down, but it’s got wonderful buildings,” she says. “Now it’s an operable quarry for road-grade material”. For an artist, that can lead to some interesting moments. “When they blast, some of the stone
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Silvia’s unbearable lightness
Tuesday, 19 June 2012
“Have you ever written a haiku?” This is the question that Maurizio asked his friend Silvia some time ago. The answer was negative; Silvia did not know that word meant, but remembered having read a book many years before with the glaring title Snow – a novel by Maxence Fermine in which haiku was also
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About self-sufficient glamour and about who invented it (2nd part)
Wednesday, 23 May 2012
The most important conceptual and formal innovation of photography by Ghergo is the abandoning of picturesque iconography and the creation of a sophisticated yet sobre image, created with careful geometry, where light models the shapes of the subject; and it is this talent that doses the light that marks the boundary between ordinary portrait and
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About self-sufficient glamour and about who invented it (1st part)
Wednesday, 25 April 2012
“It’s difficult to be photographed after Ghergo, difficult to see another Alida Valli, or Sylva Koscina, or Sophia Loren. Ghergo in his austere studio transfigures them into the light which defines the outlines of the faces (…). With this Ghergo defines it (the light) a real process of beatification in an ideal heaven”. These are
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First, precious Italian tribute to Steve Jobs
Wednesday, 28 March 2012
What is a minivan Volkswagen, symbol of the hippie culture, doing on the second floor of the Museum of natural sciences in Turin… ah yes, it is the “Steve Jobs 1955-2011″ exhibition; who, when he was 18 years old had one, and sold it to found Apple Computers. It was 1976: with approximately $ 600
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We are what we eat or we eat what we are?
Wednesday, 15 February 2012
Photography and food. Representing food in photography is a practice as old as photography itself. Ways of representing it have undergone enormous changes over the decades and are adapted to the lifestyles and fashions of the moment: we have gone from “still life” to hyper-bucolic images of the 1980s used in advertising, to those current
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Reality as seen by Robusti
Wednesday, 18 January 2012
A painting by Enrico Robusti – and I speak of the newer ones – is neither calming nor reassuring. Stupidity, vulgarity, meanness, hypocrisy: the feelgood humanity lives elsewhere. Occasionally some kindness emerges. Distorted figures and dizzying perspectives, large canvases shine with acrylic aggressiveness; the subjective interpretation falls before the imperative meaning of titles, ironic if
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(Italiano) Alma Charta, un atelier d’arte nella natura
Wednesday, 14 December 2011
«Stampa d’arte»: un termine un po’ elitario, pieno di mistero, che nei secoli ha sedotto artisti come Dürer, Rembrandt, Parmigianino, Goya, Piranesi, Picasso e tanti altri. Eredite della tradizione e dello spirito di un lavoro svolto interamente a mano, l’incisore André Beuchat da più di vent’anni è attivo nel mondo della carta e dell’inchiostro. Per
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Guggenheim di NY: Cattelan saluta e va in pensione?
Wednesday, 16 November 2011
«Maurizio Cattelan: All» è la prima retrospettiva americana dedicata all’artista contemporaneo italiano, al Guggenheim Museum di New York dal 4 novembre al 22 gennaio 2012. Centoventotto opere, appese al soffitto una vicina all’altra, formano un’istallazione unica Cattelan già da qualche anno non produce nulla di nuovo, e nell’ultima Biennale di Venezia ha riproposto una sua
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Fotografia, uno strumento magico
Wednesday, 21 September 2011
Vi presentiamo un nuovo collaboratore di FermoMag, il fotografo Alessando Gandolfi: fra le varie testate con le quali collabora figura il National Geographic; è stato più volte premiato per i suoi lavori. Così racconta la sua storia: «Non ricordo il momento preciso in cui ho iniziato a fotografare. È stato un avvicinamento lento, progressivo, legato
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