It’s like many cats: lazy, messy, unpredictable, but adorable. Yet special, like all felines can be. His name is Pixel, it lives with Cecilia&Fermo for a strange case and one day she decided to turn it into the protagonist of “flash” inspired to cat’s life in its many facets. Which color, size or sex is

These motionless figures appear like archetypes, distant, untouchable: they are Campigli’s women, female beings that have always existed in Western art, familiar to us because they remind of suggestions and images ranging from portraits of Fayum to Greek korai, from Etruscan funerary sculptures – the painter was struck by Etruscan art during a visit to

It’s like many cats: lazy, messy, unpredictable, but adorable. Yet special, like all felines can be. His name is Pixel, it lives with Cecilia&Fermo for a strange case and one day she decided to turn it into the protagonist of “flash” inspired to cat’s life in its many facets. Which color, size or sex is

It’s like many cats: lazy, messy, unpredictable, but adorable. Yet special, like all felines can be. His name is Pixel, it lives with Cecilia&Fermo for a strange case and one day she decided to turn it into the protagonist of “flash” inspired to cat’s life in its many facets. Which color, size or sex is

It’s like many cats: lazy, messy, unpredictable, but adorable. Yet special, like all felines can be. His name is Pixel, it lives with Cecilia&Fermo for a strange case and one day she decided to turn it into the protagonist of “flash” inspired to cat’s life in its many facets. Which color, size or sex is

Liberty, a style internationally spread, called Art Nouveau in France, Jugendstil in German and Central European area and Modern Style in Anglo-Saxon countries. Between nineteenth and twentieth century the new style and new “taste” yearned to overcome historicism and naturalism that had dominated much of the nineteenth century. The recently unified Italy in fact aspires

It was the early twenties when a young Dutch engraver, to recover from a deep depression, arrived in Italy and, in a kind of twentieth-century Grand Tour, visited cities and regions that made him fall in love. Siena, Abruzzo, villages in Calabria perched on the mountains, they became subject of the landscape woodcuts of Maurits

It was the early twenties when a young Dutch engraver, to recover from a deep depression, arrived in Italy and, in a kind of twentieth-century Grand Tour, visited cities and regions that made him fall in love. Siena, Abruzzo, villages in Calabria perched on the mountains, they became subject of the landscape woodcuts of Maurits