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MAGAZINE
Publications from FERMOMAG
FERMOMAG 15
- Camera di San Paolo by Correggio, five hundred years old and still rocking – Margherita Fontanesi
- Giovanna Piacenza: the power of an abbess – Michela Alessandrini
- Bodoni: the printer who unveiled the young Correggio – Laura Dabbene
- When the Wolf leaves its paw: a comic painter – Laura Fornasari
- From bottom upward: Eroticism in Correggio’s paintings – Petra Cason
- The Last Night, a short film through time – Laura Fornasari
- Surrealism from Bar Sport (Correggio, about 1500-2000) – Luca Ferrari
- ®11 – Andrea Di Betta
- David LaChapelle and the turn of the Sistine Chapel – Barbara Picci
- Andrea Saltini, Ritual de lo Habitual – Marta Santacatterina
- Pseudointerview with Patrizia Farinelli – Sergio Sozi
- Caravaggio in X-ray – Marta Santacatterina
- Sister arts: a journey between Kandinsky and Cage – Marta Santacatterina
- In search of Bora – Maddalena Bardin
Cover by Armando Chitolina
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FERMOMAG 15
Camera di San Paolo by Correggio, five hundred years old and still rocking – Margherita Fontanesi Giovanna Pia... -
FERMOMAG 14
New York is a Trieste Adrift – Petra Cason Italy-Usa: Magazzino Italian Art –Kaitlin Larkin Noise and li... -
FERMOMAG 13
Editorial – Marta Santacatterina Elizabeth on the dresser: the gadgets of the queen – Francesca Codelupp... -
FERMOMAG 12
Editorial – Marta Santacatterina Futurism or magic? Both, with Depero – Michela Alessandrini Campo Grafi... -
FERMOMAG SPECIAL WONDER WOMEN
Editorial – Marta Santacatterina “Magna Comitissa” between two Titans – Marta Santacatterina The Power o... -
fermomag 11
Editorial – Marta Santacatterina A lonely Empress, and her murderer – Michela Alessandrini Venini: glass... -
FERMOMAG SPECIAL KIDS
Editorial – Marta Santacatterina Stories are yellow like a blue cat – Elide La Vecchia Bruno Munari: Pre... -
fermomag 10
Editorial – Marta Santacatterina We present you “Il cannone tuona continuamente…”– Andrea Di Betta At the stat... -
fermomag eroticism special
Editorial – Marta Santacatterina Sex between them two – Gaia Pece Perturbing Balthus – Marta Santa... -
fermomag n.8
Editorial – Marta Santacatterina Blek Le Rat Street art from the ‘80s to today – Barbara Picci “Silk and... -
fermomag n.7
Editorial – Fermo Tanzi Golden and love: Giotto, Italy – Marta Santacatterina The highly awaited at the ... -
fermomag jewels special
Editorial – Marta Santacatterina Hot tears of nymph – Agatha Malinowski The most valuable of all –... -
fermomag n.6
Editorial – Fermo Tanzi A 50 years long comic: Linus – Silvia Magistrali When industry meets art –... -
fermomag n.5
Sgarbi’s wonders All the faces of Rome In search of the lost Marchesa National Theatre Live: three plays not t... -
fermomag n.4
Dirt artis Without is better Critic of the food critic – Part three Greedy art: sculptures of sugar at Medici ... -
fermomag speciale Design
How “Design in 400 words” was born Silvia Censi DaD, what’s DaD! A table with holes a 360° degrees... -
fermomag n.3
Death in shape of stairs: rhythm and suspense in an anthology of noir promises Portrait of Zavattini as a writer The... -
fermomag cats special
A tribute to the cats and to their friends Memories of a cat lady Marco Galli, the cats’ photographer Holy cat... -
fermomag n. 1-2
Books in an exhibition: Massimo Giannoni Majorana, the mistery continues Critic of the food critic – Part One ... -
Fermomag n.0
The courage of poetry: According to autumn laws Blue lilies, the Farnese as you have never read Hugo Pratt, nemo pro...
